‘Hope’ at The Hintze Hall, Natural History Museum.

Tags

'Hope', cetacea, extinction, Hintze Hall, Leviathan, Natural History Museum

(LittleJerry: photo montage, Sept 1st, 2015. Wikimedia )

 

Look up and see, between the extant and

the dead, suspended, a Cetacean.

Hunted to nigh extinction by man’s hand:

whaling nations versus Leviathan.

‘Earth’s sustainability’ is our phrase;

her skeleton shows strength; fragility.

And still these awesome creatures strand in bays –

plastic, noise, our responsibility.

Across oceans we cannot hear their groans;

schools’ codes of subtle communication,

but in two hundred and twenty one bones,

can we detect syllabic salvation?

If ‘Hope’ becomes a symbol of respect,

destruction of our planet may be checked.

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Dilly-Dallying?

Tags

Abel Martinez, clerihew, Dali, DNA, Port Ligat, Van Vechten photographs

(Carl Van Vechten, photographer. 

Library of Congress.  Wikipedia)

 

Salvador Dali,

Maria Pilar Abel Martinez claims that you got pally

with her mother at Port Ligat.

The DNA sample should sort out that.

Gone Missing

 

Weird!

I posted this image of Samuel Beckett on my site last year.

It had quite a lot of ‘likes.’  I can prove it is my work as I

have the original painting.

Today I have been trawling through my site to find it

and it has disappeared.  I wanted to show it to someone after

a photography programme on television last week mentioned

my friend, Jane Bown, who took the original photo, on which

I based my painting.

What’s going on, guys?  It feels like it could be the subject of a

work of literature.

If anyone else can find it on my site, please let me know!

News From Nowhere

Tags

chloral, Cotswolds, Dante Gabriel Rossetti, Guinevere, hollyhocks, Janey Morris, Julia Margaret Cameron, Kelmscott, La Belle Iseult, Lancelot, mille-fleurs, shape-changers, Topsy, William Morris

(The Parting of Sir Lancelot and Queen Guinevere

by Julia Margaret Cameron)

 

Since I live in the vicinity of Kelmscott now, here is an

old poem, re-blogged…

 

William:

I raised a latch of a door in the wall

and immediately knew this was home.

The garden’s rosy superabundance

was a mille-fleurs embroidery stitching

raucous cawing of rooks from those high elms, the

swifts wheeling, doves’ cooing and blackbird song.

A mulberry tree was central. Pastel

hollyhocks nodded their welcome and men

scythed reeds and floated them down the river

under the willow trees’ gray-green flickers.

Lead waterspouts were limply supported

from the mellow masonry and woodworm

pricked the panelling. I felt not sadness,

but a beauty born of melancholy.

Leaving my charcoal overcoat downstairs,

I inspected the quaint garrets where once

tillers and herdsmen slept under the eaves.

The sloping floorboards creaked under my feet.

I realised she had never loved me.

How could she? Women are all shape-changers.

This house is an E with its tongue cut out,

so it will never prattle its scandal.

Betrayal’s woven in its tapestries:

Samson with his eyes gouged out for his love.

Please, dear Janey, be happy…I cannot

paint you, but I love you – and now leave you.

Janey:

Some called it amitie amoureuse.

They dubbed me Guenevere, La Belle Iseult.

Once in this lost riverland, out of depth,

we drowned in our adulterous passion.

I heard carriages arriving at night,

so the cob’s harsh hooves had to be silenced

by leather shoes. I had no energy

when William was here, but took long walks

with Gabriel, who said our leaky punt

was not a poetic locomotion.

I keep my thoughts locked in my casket

in my bedroom. It was kind of Topsy

to bring me back that fine Icelandic smock.

Gabriel said it served his purposes well.

When they had Mouse the babes were not tiresome,

but Jenny’s impairment grows every day.

Tomorrow someone must trim the dragon.

In the studio I hear faint crying

over a stillborn child. He took chloral,

alcohol and would stay awake till five.

What was I to do with his exhumed verse?

Sir Lancelot had welded us as one.

I suppose I never loved him at all.

Tonight I left a pansy in Blunt’s room.

I am past sobbing that he does not come.

Schubert in Salisbury

Tags

Celebrate Voice, Jacob's ladder, lieder, Medieval Hall, Salisbury, Schubert, stage door, Steinway, Susan Bullock, Wagnerian soprano

So, you went to Salisbury at the weekend?

Yes.  To the ‘Celebrate Voice!’ Festival.

And heard what?

I sipped my Monk Pear tea.  Schubert.  Susan

Bullock, the Wagnerian soprano.  She was singing

lieder.  But I think that she was upstaged by the moon,

somewhat.

How so?

You can read my poem and decide for yourself.

Schubert in Salisbury

Our invisible feet traverse The Close

and we are shrouded in darkness.  It’s there:

luminous, transcendent, yet immanent,

its sculpted details sharp in the moonlight.

Together, on this frosty evening,

our hearts ache from Schubert’s yearning lieder:

betrayal, grief, regret and bitterness.

Oh, farewell to the world- let them feel love;

they may thank you yet – sooner or later,

but tearfully– and probably too late.

In the medieval hall she sang to us

and we were insulated by the warmth,

the spotlit dais; the shiny Steinway.

Elbow to elbow, we brushed each other;

applauded to show solidarity.

But, propped up, in the great closed porch, a lone

cold, shadowy figure, tightly cocooned

in damp, lumpy bedding, breathes not a word.

The stone finger of God points to the sky,

as if to seal the lips of the divine.

Before us lies a man who has no voice,

but merely craves some heat from God’s stage door.

The singer did not bow to him tonight;

he did not hear the piano lid come down.

He falls asleep and hears the angels sing-

the spire above, his ladder up to Heaven.

And we, like Jacob, rooted to the earth,

wrestle and wrestle with our own demons.

The moon vanishes behind a dark cloud.

She sang: Und finster die Nacht, wie das Grab!*

The frozen sleeper turns onto his side

and we hurry, before the gates are locked.

*’and the night dark as the grave.’

Cry Me a River

Tags

cantadora, Catalan sausage, Clarissa Pinkola Estes, Cry Me A River, Cybele, Guernica, lacrymosa, Mater Dolorosa, Melbourne gallery, Picasso Dora Maar, saltimbanques, Semana Santa, Seville, suffering machine, torch song, unrequited love, Virgin of Guadalupe, Women Who Run With The Wolves

I like that song, ‘Cry Me A River’, Brassie said, meditatively.

Yes, it’s what is known as a ‘torch song’, I replied.

What is a ‘torch song’?

Oh, it’s based on the phrase about carrying a torch for someone.

You mean unrequited love? said Brassie.

Mmm.  I used to think of those Cybele statues whenever I heard

that song, or cartoon characters spouting projectile tears.

Why are you bringing Cybele into it?

Oh, I just associate the over-production of breast milk with the over-

production of other body fluids, I suppose.

(Photo by Yair Haklai)

You’ve been going on about tears recently.  I wonder why?

Well, I was just reading ‘Women Who Run With The Wolves… I began.

You would, interrupted Brassie.  I wish she’d stop the annoying practice.

Read, or run? I countered.

Who wrote it?  She ignores me!

Oh, someone called Clarissa Pinkola Estes.

Look of incomprehension.

She’s a Jungian psychoanalyst and cantadora.  A woman who keeps old

stories.  She wrote about tears in myths melting the icy heart.  She reckons

that women cry to keep predators away.  Tears mend rips in the psyche

and prevent one from sleeping and lowering one’s guard.

I would immediately think of the Picasso portrait of Dora Maar, Brassie

commented- quite astutely for her.

Woman as a ‘suffering machine’, according to Picasso.  Did you know he

painted more than one version?

I think one was stolen from a gallery in Melbourne, wasn’t it?

Yes.  They got it back, fortunately. He always claimed not to be repeating

the image through sadism and denied it gave him any kind of pleasure to

portray her like that.  He just said that, for him, Dora was always a weeping

woman.

At least she went down in history for something, Brassie reflected. Oh, yes-

not ‘Dora was a first rate photographer.’  Just: ‘She was the one that

cried her eyes out.’

‘Maar’ is an interesting name.  In the Old Testament the waters of Marah are

bitter and the name ‘Mary’ may be associated with tears. Jesus’ mother

certainly had plenty to cry about, didn’t she?

Oh yeah.  ‘Mater Dolorosa’

Photo by Angel Cachon- Virgin of Guadalupe (Semana Santa, Seville)

http://www.flickr.com/photos/sjaces/12888923

Hmmm. Anyway, I tried to immortalise Dora Maar in a little poem I wrote

years ago.  I discovered it during my cellar clear-out.  Do you want to see it?

I might as well… (nothing like enthusiasm for one’s writing!)

Here!  It’s a bit crumpled and I’ve edited it a bit, but there you go…

I tried to immortalise her too, I said, taking out my notebook.  Along

with all his other weeping mistresses.  But she will always be the arch

Lacrymosa.

LADIES OF SORROW

I prematurely blossomed with rose-hued

saltimbanques.  those dull, brutish critics gored

other artists, but I escaped attack:

a skilful matador…Who loved me best?

I’d say no woman, but my old friend, Braque.

When lovers left, they could, in truth, attest

I missed their dogs, more than I missed them.  Did

I propose to Gaby?  I don’t know.  War,

its ghastly preoccupations, outbid

her for my attention.  Yes, caviare

was Olga’s favourite; I preferred sausage-

Catalan, with beans.  She wanted her face

recognisable; to be centre stage;

wanted too much from me, in any case.

Her image had by then begun to fade.

I was playing with Dora Maar (my mouse);

slashing Guernica with a razor blade,

careless of mistress, as careless of spouse.

Woman becomes a suffering machine.

When Nazis asked me: ‘Did you do this art?’

I replied: No.  You did.  When black with spleen,

Francoise and I could claw each other’s heart.

She who had resembled Venus became

Christ.  Martyr.  She left me – it was her loss.

She’d been expert at apportioning blame:

‘Who was it then who put me on the cross?’

I did, but, so doing, set them apart;

made them immortal in the realm of art.

Kama Sutra In Waterperry

Tags

Angel delight, Art in Action, begum's palace, Bradford, Chicken Tikka Masala, coriander, Cosmic Dance, Delamotte, joss sticks, kaftan, Kama Sutra, kohl, Laura Ashley, lotus, love beads, Naan bread, Pimms, Rimsky-korsakov, Sainsbury's, Sharwood, Shiva, The Silent Teacher, Vesta Taste of the Orient, Vindaloo, Waterperry

(Waterperry by Delamotte)

You didn’t go this year? Brassica asked.  I thought

you went to Waterperry ‘Art in Action’ every year?

No, I only went twice, years ago.  I don’t even know if it

is still on.  I think I must have missed it, as it used to be

held mid-July.  I seem to remember that it was boiling hot one

year.  I enjoyed seeing a raku potter from Bath- Peter Hayes-

standing on a ladder and building a huge ceramic sculpture which

he was going to fire there and then.

Sounds fascinating.

Oh, you could book to take part in all sorts of activities.

I remember going to watch an Indian dancer.

And did you…?

Of course.  I’ll have a look for it in my file at home and will

publish it on WordPress, so you can read it.

Incorrigible.

KAMA SUTRA IN WATERPERRY

(Image by Rusianejohn 26/2/2013)

This is Oxfordshire, hot as Vindaloo.

In The Eastern Asian Arts Tent they sweat,

as if they sat in a begum’s palace.

But the chairs are plastic; camcorders whir.

Polyester, pinch-pleated drapery

is the wrong backcloth, especially in peach.

The girl with the pleached plait and red bindi

gestures Shiva‘s flute, mimes supplication,

recreating an unseen world through smiles;

kohled eyes averted or upturned.  Music.

An equivocal voice ululates and

scratchy birdsong emanates from speakers

hidden in some coleus.  They sip Pimms

while she performs The Cosmic Dance with grace.

Middle-aged, sandalled Englishmen in shorts

film, agog, in open admiration,

fantasising exotic, erotic

movements in Laura Ashley bedrooms,

chintzed by mango-shaped, swollen-ankled wives,

who never had the sinuosity

of this dancer; never raised a heartbeat

to a drumbeat- not even in ethnic

kaftan days, when they fingered their love beads

over a Chicken Tikka Masala,

after their final exams.  Eyes would stream.

Hot stuff.  Half portions of rice were enough.

She would have been born then.  Maybe she sprang

from a lotus flower, somewhere in Bradford.

While they were buying pine in B&Q,

she was inhaling joss sticks, sandalwood;

learning all about The Silent Teacher.

While they were doing supply in inner

city comps, they dreamt of vestal virgins,

returning home at five, to a Vesta

Taste of the Orient; Angel Delight

to follow.  They planted coriander

in earthenware pigs on their window sills.

Their daughters pierced their nostrils and navels,

but somehow never looked at all like this.

Votive petals fall…  Audience applause…

The dancer leaves in her drab Western clothes.

And in Sainsbury’s, the following week,

they put two-for-the-price-of-one Naan breads

into their trolleys, with some Sharwood spice;

hum Rimsky-Korsakov at the check-out;

thinking up one more story, to survive.

(Wikimedia)

No More Hiroshimas

Tags

atomic bomb, Hiroshima, James Kirkup, No More Hiroshimas, nuclear bomb

Because it’s relevant today:

No More Hiroshimas – James Kirkup (b. 1923, England)

Nagasakibomb.jpg:

taken by Charles Levy from a B-29 Superfortress used in the attack.

 

At the station exit, my bundle in my hand,

Early the winter afternoon’s wet snow

Falls thinly round me, out of a crudded sun.

I had forgotten to remember where I was

Looking about, I see it might be anywhere –

A station, a town like any other in Japan,

Ramshackle, muddy, noisy, drab; a cheerfully

Shallow permanence: peeling concrete, litter, ‘Atomic

Lotion, for hair fall-out,’ a flimsy department-store;

Racks and towers of neon, flashy over tiled and tilted waves

Of little roofs, shacks cascading lemons and persimmons,

Oranges and dark-red apples, shanties awash with rainbows

Of squid and octopus, shellfish, slabs or tuna, oysters, ice,

Ablaze with fans of soiled nude-picture books

Thumbed abstractedly by schoolboys, with second-hand looks.

The river remains unchanged, sad, refusing rehabilitation

In this long, wide, empty, official boulevard

The new trees are still small, the office blocks

Barely functional, the bridge a slick abstraction.

But the river remains unchanged, sad, refusing rehabilitation.

In the city centre, far from the station’s lively squalor,

A kind of life goes on, in cinemas and hi-fi coffee bars,

In the shuffling racket of pin-table palaces and parlous,

The souvenir-shops piled with junk, kimonoed kewpie-dolls,

Models of the bombed Industry Promotion Hall, memorial ruin

Tricked out with glitter-frost and artificial pearls.

Set in an awful emptiness, the modern tourist hotel is trimmed

With jaded Christmas frippery, flatulent balloons; in the hall,

A giant dingy iced cake in the shape of a Cinderella coach.

Deserted, my room an overheated morgue, the bar in darkness.

Punctually, the electric chimes ring out across the tidy waste

Their doleful public hymn – the tune unrecognisable, evangelist

Here atomic peace is geared to meet the tourist trade.

Let it remain like this, for all the world to see,

Without nobility or loveliness, and dogged with shame

That is beyond all hope of indignation. Anger, too, is dead.

And why should memorials of what was far

From pleasant have the grace that helps us to forget?

In the dying afternoon, I wander dying round the Park of Peace.

It is right, this squat, dead place, with its left-over air

Of an abandoned International Trade and Tourist Fair.

The stunted trees are wrapped in straw against the cold.

The gardeners are old, old women in blue bloomers, white aprons,

Survivors weeding the dead brown lawns around the Children’s Monument.

A hideous pile, the Atomic Bomb Explosion Centre, freezing cold,

‘Includes the Peace Tower, a museum containing

Atomic-melted slates and bricks, photos showing

What the Atomic Desert looked like, and other

Relics of the catastrophe.’

The other relics:

The ones that made me weep;

The bits of burnt clothing,

The stopped watches, the torn shirts.

The twisted buttons,

The stained and tattered vests and drawers,

The ripped kimonos and charred boots,

The white blouse polka-dotted with atomic rain, indelible,

The cotton summer pants the blasted boys crawled home in, to bleed

And slowly to die.

Remember only these.

They are the memorials we need.

The Ghost of a Smile Part 1

Tags

Browning, catatonia, Cheshire Cat, Chilmark stone, Comus, Constable, diabolical possession, Dinton, glow-worms, Grovely Wood, Lawes masque, ledger stone, oak apple, Phillips House, Rev Dodgson, Salisbury Cathedral, St Osmond, Wilts, Wylye Valley

The late afternoon sun mellowed the creamy Chilmark stone of St

Osbert’s Anglican Church.  It was the same stone that Constable had

painted so warmly when he depicted Salisbury Cathedral.

The vicar had glanced at the latest entry in the Visitors’ Book, before

wandering into the churchyard.

Howard Lawes, MD, Alabama, he pondered.

Dr Lawes appeared to be a typical American tourist, judging by the

inordinate amount of camera equipment that he was carrying.  His

surname was ringing bells, but not in a campanological fashion, for the

vicar.  Wasn’t it the same name that was to be found on many of the

gravestones in Dinton?

The visitor was in the unhallowed burial section, adjusting his lenses and

trying to capture a special view of the steeple.  This had caused many a

photographer of lesser ability to flatten the wildflowers which grew

profusely in its shade.

Good afternoon! greeted the Rev Dodgson.  I believe you are a long way

from home?  This was a tried and tested opening gambit which may have

given some an impression of his virtual omniscience and benevolence.

Yes- and no, drawled the complex and surprisingly pale Dr Lawes,

in an expansive non-British fashion.  Yes, I am from Alabama, but my

roots are right here in the Wylye Valley.  I visited Philipps House this

morning and, in conversation, discovered quite a bit about my ancestors

and their Royalist connections.

Lawes… the vicar pondered.  Ah, the Comus link.  Have you had musical

genes passed down to you?

Sadly not, replied the photographer, screwing the lens cap back onto his

camera.  But I could have sworn that I was seeing creatures from my

namesake’s masque in your churchyard.  It may have been a trick of the

light, but a curious presence seemed to follow me around and then I saw

what looked like a human mouth begin to materialise.  It quite unnerved

me.  To tell you the truth, I’m glad to see someone else is here.  But

maybe I’m becoming paranoid.  Am I? he joked, unconvincingly.

How would one ever know if one was mad? retorted the Rev Dodgson,

lapsing into his tedious habit of responding to difficult questions by

posing further interrogatives.  I could quote MY namesake and add

‘You must be mad to come here.’  However, the fact is, Dr Lawes…

Howard, please, interrupted the American.

The Rev Dodgson ignored this plea and continued,…the fact is, you

have just espied our resident ghost, Risus Sardonicus.  The Latin

suggests a male gender, but I can assure you that she…

Why doesn’t he just say ‘you have just seen’? Lawes thought to

himself.  Aloud, he repeated: She?

Yes, she has similarities to that phantom feline, The Cheshire Cat,

but she is less forthcoming.  You are not the first to have been sneered

at by Mary Norton, she of the distinctively green eyes, which some have

assigned to glow-worm activity.  However, the stare often comes from an

elevation that not many animals could scale.

(Photo: Timo Newton-Syms, Flickr)

Do we know anything about this Mary Norton?

You were practically standing over the spot where we believe she was

buried, replied Dodgson.  It is an unmarked grave, so you were not to

know.  Maybe she doesn’t appreciate being trampled on.  This was intended

to be a mild plaisanterie.

I’m sure I didn’t intend to desecrate anyone’s resting place, apologised

Lawes, who was unsure of English irony.  Only, the view of the steeple,

with Grovelly Wood in the background, was so photogenic.

Indeed.  You couldn’t have known.  As one of our dramatists has said:

‘Youth emits smiles without any reason.  It is one of its chiefest charms.’

Don’t regard it as an expression of personal animosity.  She does it all

the time as she was not too keen on how our parishioners treated her.

I think she would have preferred to have been buried with certain of

her relatives-over there.

Is that why she’s restless? postulated the tourist, placing his heavy

camera bag on a ledger stone and then thinking better of it and laying

it more respectfully on the grass.

Hmmm…Yes.  I don’t think people like to be publicly excommunicated.

Apparently, Mary had an unfortunate habit of bursting into totally

inappropriate laughter at Eucharist and other services.  The locals thought

she was demon-possessed.  She would rock back and forth…

Catatonia?

The vicar ignored the interruption: …emitting guttural noises, her

tongue lolling.  Maybe the girl was ‘touched’ but these were less

tolerant times.  People were quick to detect blasphemy.  No one knows

the precise manner of her death.  Her body was discovered in Grovelly

Wood.  She’d been exercising her ancient right to collect free firewood.

I think she died on May 29th, Oak Apple Day, in 1865. All the youngsters

used to go to Salisbury and dance on the lawns in The Close.  Then

they’d lay oak boughs on the altar.  I forget why.

Well, there she lies- or doesn’t.  I could say with my favourite poet,

Browning: Oh sir, she smiled, no doubt, whenever I passed her;

but who passed without much the same smile? Unfortunately, though

commands have been given, the smiles don’t stop altogether.

Lawes was tiring of the literary references, but he had been thinking

very hard during this expatiation.

Poor Mary Norton! he reflected.  No wonder she is so unquiet.  Her ears

have not yet materialised, so perhaps she will not hear my thoughts on

the matter.  I can assure you, sir, that there was no question of diabolical

possession.

(Photo of oak apple by Bob Embleton)

to be continued…!

Far From the Maddening Crowd

Tags

Airey's Inlet, Bass strait, Bunurong, Creed mcTaggart, Cuillins, David Rastovich, eudyptula minor, fairy penguin, fulmar, grippin' the lip, Howard Hughes surfboard, Koolin, Lew Brown, Loyd Grosman, mutton-bird, Namibia, one piece leash, painting zebras, passeggiata, Phillip Island, Port Phillip Winery, rip curl, Rip Van Winkle, Roll out the Barrel, shearwater, Sojourn, St Kilda, stabmag.com, Sumatra, Surf Beach, Teahupo'o pizza, The Nobbies, Tracks-the Surfers' bible, ultimate gypsy, wallaby

You would think that The Nobbies would be an excellent place to get

away from Joe Public, but even with a howling gale blasting in from

The Bass Strait, there is the eternal shrill whine of children whose decibel

level outperforms the crashing waves and predatory shearwaters. Once

placated by a cuddly toy penguin, however, the juveniles are generally

benign, unlike their adult counterparts who simply will not obey rangers’

instructions and whose attention span seems limited to one advance

by a single cohort of fairy bands of brothers before they have to stand up,

blocking others’ views and flashing away at the shy bird-life which is

trying to avoid the unwanted attention of a sea eagle, or a fox, but which

ends up mating under spotlights, beneath the boardwalks, to a perpetual

infantile commentary:

What are they doing?  Oh, look!  A threesome!

Eudyptula minor is a cutie and its nightly parade reminded me of a

Mediterranean passeggiata, except that those on the fringes do not

usually get picked off – or do they?

The whole ambience recalls accounts of the fulmar-dependent,

indigeneous people of St Kilda.  No doubt the mutton-bird eating

Bunurong would have had heaps in common with the original

inhabitants of the Scottish archipelago, although the Bunurong

had not been planted on their terrain, but were the supplanted.

Mind you, the Koolin people sounds rather like the Cuillins, don’t

you think?

I’m ashamed to say that I didn’t savour a short-arsed shearwater,

or whatever the mutton-bird is.  I preferred the duck confit at Port

Phillip Winery, the previous day.

Those of you who have been questioning whether I have morphed

into a fully-formed Sheila yet, might be better employed rating my

surf babe status.  Forget The Husband.  The only thing he surfs is

the internet.  As for Rip Curl experiences, he is more into those of the

Rip van Winkle variety.  Or Lip Curl, when he comes across snippets of

his fame being promoted over this site.  (He can be as desultory as

that lone wallaby that hopped across the dusky beach last night,

silhouetted against a giant red full moon.)  Just trying to divert

attention, I’d say.

We stayed over at Surf Beach in a house on stilts, all weather

boarding and corrugation.  The walls were decorated with a Howard

Hughes, Airey’s Inlet finned surfboard, bearing the endorsement:

Awesome.

I felt like Loyd Grosman- remember the guy who used to traipse

through people’s houses trying to guess what kind of a person lived

therein?  He actually only got the job because someone mistakenly

thought he was a journalist.  I felt a bit of a fraud myself.  But now

that I’ve heard of stabmag.com, I feel that I have some beach cred.

I might even get The Husband some Board Shorts.  Apparently, Life

is better in them.  The guys in the adverts seem to prove the point.

Maybe I could tether one of these Adonises to my side with the

World’s Strongest Leash, a one piece leash technology.  Might just

keep The Husband from wandering off towards the wine aisle in

any supermarket.

Even the reading matter was connected to the ocean and Night

Surfing was the only novel on view.  The blurb confided that it was

about a wave that arcs so high it drops down the sun, stars and

moon from the sky and turns day to pitch.  Hannah is a drop-out

who wants to learn to walk on water and Jake has been a dustman,

or re-cycling engineer, from Liverpool, but he dreams of surfing the

night.  Presumably he has had a shower first.  He has demons of his

own.  Let’s hope that Hannah exorcises them.

Right, enough of those barbed comments, as prickly as the fins on the

surfboards.

I did enjoy leafing through Tracks: the Surfers’ Bible– the next best

thing to a Teahupo’o pizza delivery, apparently.

You see, I had never heard of grippin’ the lip; surfing in Namibia- I

thought it was all desert dunes.  I thought Roll out the Barrel was a

1940s song by Lew Brown and nothing to do with tides and waves.

Painting zebras on a wall sounded artistic to me, something like

decorative murals on a kindergarten reception hall.

Hoovering through the slob sounded like clearing up after the

kindergarten kids had gone home.  And I had never heard of

films such as Sojourn, a surf film about Sumatra, with David

Rastovich.  I really must have been up a gum tree!

Oh, wait a minute!  It’s hovering through the slob.  It’s all this

being on the road.  I’m turning into an ultimate gypsy like Creed

McTaggart.  That’s a different creed from the one I know back

home and which I can recite by heart on Sunday mornings.

Okay, so he’s known for his sunglasses and criticised for faux

surf celebrity; I’m known for my hats and…

I’m morphing into something.  It’s Travel.  It broadens the mind,

as well as the behind.