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Tag Archives: William Wallace

Alea Iacta Est

18 Thursday Sep 2014

Posted by Candia in Education, History, Humour, Literature, mythology, News, Politics, Psychology, Social Comment, Suttonford, Writing

≈ 1 Comment

Tags

alea iacta est, Antonine Wall, Clydeside, faggots, fasces, metaphor, Nero, Optimates, Rubicon, Suetonius, testudo, togas, Tribune of the Plebs, William Wallace

Augustus Snodbury prepared to deliver one of his most ancient and

oft-repeated lessons in the Classic Department.  However, he intended

to give it a topical spin.

He threw a die on the front desk and pronounced: Alea iacta est.  This was, for

him, an interactive lesson, utilising a learning aid.

What does this mean?

Before he could choose which hand to acknowledge, that Boothroyd-Smythe

boy had prematurely ejaculated:  The die is cast.

What?

Sir.  The die is cast, Sir.

Hmm, Snod harrumphed.  And how could this be applied to our times?

Not you, boy.  Someone else.

He must be getting past his sell-by date.  A few years ago he’d have had

that boy clapped in irons, or thrown to the lions for shouting out.  He

signalled to a quiet youth sitting on his own at the back.

The ginger-haired pupil ventured: Mr Cameron says there’s no going back for

the Scottish people.

Precisely, Snod rubber-stamped the response.  You can’t cross back over The

Rubicon. Boy!  Put that die down!

It wasn’t brought into this lesson for you to fiddle around with. Not even while

Rome burns!

Now, take this down... Snod loved dictation.  It was the best method of

control, even if it discouraged free thinking- especially as it discouraged

free thinking!

Once Caesar had crossed The Rubicon, there was no going back. 

Reinforcement.

He turned and wrote ‘Suetonius‘ on the board.  No one, least of all himself,

knew why, but, to a boy, they all wrote it down in their exercise books, some

putting out their tongues while they tried to get the letters in the right order.

The Rubicon, incidentally meaning The Red River, so having some associations

with Clydeside... this was for his own gratification, but there was much

scribbling, was in North Italy, but it does not preclude metaphorical references. 

What’s a metaphor for?  He suddenly sprang this on an unsuspecting child in

the second row, who slightly wet his shorts and broke his pencil point.

That’s where togas came in very handy, Snod observed to himself.

To make us think what it’s there for? quavered the child.

No, that’s a ‘therefore’, Snod barked. Pay attention!  And attention is what The

Romans should have paid to those beyond The Antonine Wall.  But that’s another

lesson.

You see, Caesar had entered into rebellion and the Senate had removed him

from his command. It started a long civil war.  Who were the two sides?

Silence.

He wrote Optimates: Traditional Majority on the white board with an

indelible marker.  Drat!

They wanted to limit the power of the Tribune of the Plebs.

A hand shot up!  B–S again.  Groan!

Wasn’t that what a politician called the police, sir?

Allegedly not.

The Optimates sought to preserve the ways of their forefathers..

Like William Wallace and..

Detention!

Boothroyd-Smythe in his eagerness had forgotten to raise his hand.  Twice

in one day.  His report card would have to be stamped.

The bell rang shrilly.

Get into your testudo formation, said Snod.  Okay,

Forward march!

Excuse me, sir.  Who were the other side?

Snod momentarily had forgotten.  He could smell the odour of his

favourite fasces, he meant faggots, emanating from the dining hall.

That’s your homework, he pronounced with imperatorial, nay,

gubernatorial authority. If you don’t know, find out for tomorrow.

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Kung Fu Panda 1

03 Wednesday Sep 2014

Posted by Candia in Family, Film, History, Humour, News, Politics, Social Comment, Sport, Suttonford, television, Writing

≈ 1 Comment

Tags

Kung Fu Panda, Master Tigress, Mr Ping, Plan B, Po, Robert the Bruce, Shifu, soothsayer, St Birinus Middle School, tandem combat techniques, The Jade Palace, William Wallace

Kungfupanda.jpg

John was just about ready to return to St Birinus’ Middle School for the

Autumn Term.  His mother, Gisela, was sewing name tapes on to his

various items of uniform.  A casserole was simmering nicely in the oven,

so he was allowed to watch one of his favourite DVDs while they were

waiting.

Mum! he shouted, waving the box.  Don’t you think Po is like that

Scottish guy who was on the telly the other night?

Alex Salmond, First Minister of Scotland.jpg

Who, darling?

No, the other one.  The one that kept talking about best interests.

Don’t be rude, John.  She couldn’t help smiling, though.

Yeah, mum.  Po is always going on about how he is the chosen one

who will fulfil an ancient prophecy.  It says on the lid that he puts his

heart and his girth into the task. He tries to get over the wall into

the Palace grounds.  The Soothsayer tells him that it is not the past

that shapes a person, but they are in awe of a previous hero who has

ascended into the heavens and whose ghost is watching them from

a tree.

Maybe that was William Wallace, or Robert the Bruce? speculated

Gisela.

William wallace.jpg

Before she knew it, Gisela was drawn into the plot, if you could call it

that.

Shifa seemed to be for some kind of union.  He cautioned that there

would have to be a lot of cleaning up afterwards.

Then there was a lot of empty philosophy about simply believing in things.

Mr Ping revealed that the secret ingredient- a kind of Plan B?- was nothing.

Nothing at all! ‘To make something special, you just have to believe it’s

special.’  (Where had she heard that logic before?)

The tigress seemed more disgruntled: And now (we’re) stuck with you, a

big fat panda..who treats (us) like a joke.  She didn’t seem to believe that

Po was fit to be in The Jade Palace.  She told Po that if he had any respect

for the others he’d be gone by morning.  Yet, when he achieved a victory,

Master Tigress rewarded him with a hug and they employed tandem combat

techniques.

The sceptical no voter, Tai Long, challenges the would-be Master: What

are you gonna do, big guy?  Sit on me?

Po replies in characteristic fashion:  I’m not a big fat panda.  I’m THE big

fat panda.

Gisela went into the kitchen to check the potatoes.  Supper’s ready!

she called.

You’ve just got to believe, Mum, said John, coming into the kitchen

with his arms flailing like the sails of a demented windmill.

No, replied his mother firmly, draining the spuds.  Po is too concerned

with what was yesterday and that is history.  I’m more interested in

your future.

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My name is Candia. Its initial consonant alliterates with “cow” and there are connotations with the adjective “candid.” I started writing this blog in the summer of 2012 and focused on satire at the start.

Interspersed was ironic news comment, reviews and poetry.

Over the years I have won some international poetry competitions and have published in reputable small presses, as well as reviewing and reading alongside well- established poets. I wrote under my own name then, but Candia has taken me over as an online persona. Having brought out a serious anthology last year called 'Its Own Place' which features poetry of an epiphanal nature, I was able to take part in an Arts and Spirituality series of lectures in Winchester in 2016.

Lately I have been experimenting with boussekusekeika, sestinas, rhyme royale, villanelles and other forms. I am exploring Japanese themes at the moment, my interest having been re-ignited by the recent re-evaluations of Hokusai.

Thank you to all my committed followers whose loyalty has encouraged me to keep writing. It has been exciting to meet some of you in the flesh- in venues as far flung as Melbourne and Sydney!

Copyright Notice

© Candia Dixon Stuart and Candiacomesclean.wordpress.com, 2012-2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Candia Dixon Stuart and candiacomesclean.wordpress.com with appropriate and specific direction to the original content.

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