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Tag Archives: Walker’s Petticoat Tails

The Young Chevalier

23 Sunday Feb 2014

Posted by Candia in Arts, Celebrities, History, Humour, News, Social Comment, Suttonford, television, Writing

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Allan Ramsay, Archbishop of Bordeaux, Bendor Grosvenor, Bonnie Prince Charlie, Camlachie, Charles Edward Stuart, Clementina Walkinshaw, Duchess of Albany, Fiona Bruce, Glasgow, Gosford House, manflu, Meaux-en-Brie, Philip Mould, The Young Chevalier, Walker's Petticoat Tails

Lost Portrait of Charles Edward Stuart.jpg

So, that would have been one of your ancestors then? teased Brassie.

We were sitting, not ‘sat’, in Costamuchamoulah must-seen cafe now

that half-term was over and we could have the place reasonably to

ourselves.

What do you mean? I parried.

Charles Edward Stuart.  His lost portrait has been found.  Didn’t you watch

the programme?

It wasn’t that lost, Carrie chipped in.  It was safely hung, if not displayed, in

a dingy corridor in Gosford House, but catalogued in the inventory there.

Yes, but it took a man in biking leathers with the name of a Derby winner

to have it authenticated, Brassie continued.  He asked a woman whom I

supposed to be the Dowager Countess if he could take it away and, just

because he shares a name with the Duke of Westminster, she immediately

let him take it off the wall, without batting an eyelid.

Maybe it wasn’t because of his name, I speculated.  Leather seems to be

persuasive. They’re all into it.  Fiona Bruce has several leather jackets in a

wide spectrum of colours and she is all over works of art nowadays.

Brassie became enthusiastic: I know, but when Bendor got his leg over..

..his motorbike- I defused her instantly.

Who’s Bendor? asked Carrie.

Duh! We both looked at her incredulously.

Bendor Grosvenor

Don’t let’s lower the tone.  We were talking about Scottish Art

and Allan Ramsay, weren’t we?  Or should we talk about Philip Mould?

He’s more age appropriate, but not so fetching in hide, I agree.

I can see Bendor in a blue sash and cockade, sighed Brassie.

Never mind ‘Charlie is my Darling’.

Yes, but as a Sassenach, he’s not strictly entitled to wear tartan, I

reminded her.  And no one is going to put Mr Grosvenor on a packet

of Walker’s Petticoat Tails, are they?

I suppose not, more’s the pity.  She looked disappointed.  I‘d probably

buy some if they did.  He’s better looking than Rabbie Burns.

Carrie tried to change the subject.  Actually, they thought that there

might have been a portrait of Charlie’s mistress, Clementina Walkinshaw

too, but the one in Derby, or wherever, was discredited.

Now there was an interesting woman, I jumped in.  Glaswegian, one of

ten, from Camlachie.  I don’t believe that she nursed him through manflu,

though. No woman from Glasgow is that sympathetic.  Eventually, fed up with

his drunken antics, she re-invented herself, as many a Glesca girl has done,

and styled herself Countess Alberstroff. She went off to Meaux-en-Brie.

Sounds cheesy, remarked Carrie.

Not as cheesy as what Charlie did next.  He married a nineteen year old

princess.

Didn’t he have a daughter with Clementina?  Wasn’t she The Duchess of

Albany?  It was all coming back to Brassie.

Yes.  Poor Charlotte died young after becoming the mistress of the Archbishop

of Bordeaux, I explained.

Did she have kids?  Brassie couldn’t remember the details.

Yes, but they couldn’t be royal as Henry, Charlie’s brother-who was a Cardinal

by the way- made Clementina sign a document of renunciation of any rights.

There might be a lost portrait of Clementina as a nun in one of the French

convents she took shelter in, suggested Brassie.

Or one of Charlotte as the Virgin Mary at a Bishop’s Palace in Bordeaux or

Cambrai, I added.

Should be good for a motorcycle trip to Aquitaine through the French

vineyards, Carrie concluded.

Perhaps he will need an assistant, Brassie said wistfully.

I’d better buy myself a leather jacket.  Fiona’s too tall to fit in a sidecar.

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My name is Candia. Its initial consonant alliterates with “cow” and there are connotations with the adjective “candid.” I started writing this blog in the summer of 2012 and focused on satire at the start.

Interspersed was ironic news comment, reviews and poetry.

Over the years I have won some international poetry competitions and have published in reputable small presses, as well as reviewing and reading alongside well- established poets. I wrote under my own name then, but Candia has taken me over as an online persona. Having brought out a serious anthology last year called 'Its Own Place' which features poetry of an epiphanal nature, I was able to take part in an Arts and Spirituality series of lectures in Winchester in 2016.

Lately I have been experimenting with boussekusekeika, sestinas, rhyme royale, villanelles and other forms. I am exploring Japanese themes at the moment, my interest having been re-ignited by the recent re-evaluations of Hokusai.

Thank you to all my committed followers whose loyalty has encouraged me to keep writing. It has been exciting to meet some of you in the flesh- in venues as far flung as Melbourne and Sydney!

Copyright Notice

© Candia Dixon Stuart and Candiacomesclean.wordpress.com, 2012-2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Candia Dixon Stuart and candiacomesclean.wordpress.com with appropriate and specific direction to the original content.

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