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A re-blog:


In the end, it was not The Seasons that gave him his finishing stroke,

but rather a sharp instrument which severed his skull from his spinal

column.  Eight days after his internment, he might have been as

surprised as his audiences, not by any symphonic eccentricity, but by

the admission of light, as his coffin lid was prised open.  Perhaps his

agitated outburst at his final attendance of The Creation implied some

premonition, for he exclaimed: It came from hence!  (Rather than a shaft

of divine inspiration, however, this interruption emanated from an

earthier and more material source and might have been deemed a

diabolical intrusion, instead of an ethereal epiphany.)  In fact, the whole

episode had been engineered by my thoroughly material amateur

phrenologist spouse and his associate.

We had all been friends for years.  My husband, Karl Rosenbaum, had

been Secretary to the Esterhazy family and we even attended the burial

at Hundsthurm churchyard in Gumpendorf, the suburbs where Haydn had

lived.  Thank God that Napoleon had ordered his troops to be respectful

and the simple service passed without incident.  However, the memorial

plaque’s inscription could be seen to have been proleptic and ironic, I

suppose: I will not die completely.

Personally, I liked Josef.  He was generous enough to offer me solos in

his masses and in his Seven Last Words.  I wonder what his seven last

words to me would have been, if he had known that I would make an

exhibition of his skull in an ebony box with a golden lyre on the lid.

Musicians and those I considered important enough to be invited to

my soirees marvelled when I displayed the great relic, reposing on its

cushion of white silk.  They gawped through the glass side panels with

gratifying envy and voyeuristic intensity.

My father, Florian Gassmann, the Viennese chamber composer might

not have approved, I fear, nor would Haydn’s patroness and friend,

Princess Maria Josepha Hermengild.  However, Josef had no children

to object, nor a wife by then.  Why should we not have preserved some

remains for posterity?

Maria Josefa of Austria.jpg

(Princess Maria Josepha Hermengild: Wikipedia)

It was not as if it was a very pleasant task for Karl and his friend,

Johann, to have to boil and examine the skull.  However, it was for

research purposes, you understand, and for the advancement of

human knowledge.

Number 17 cranial organ was as expected, Karl told me. It showed great

musical aptitude, confirming Gall and Spurzheim’s theories on the links

between mental capacity and aspects of anatomical protuberances.

Musical bumps, I joked.

There had been no malice in the procedure whatsoever, I vow.

As I said, Haydn, though swarthy and pockmarked and generally

unattractive physically, was genial and complimentary to the

female sex- even to his insufferable wife,

whose cranial convexities must have been minimal.  She used to

line her pastry tins and curl her ringlets with paper from his

manuscripts.  She selected the house that he lived in latterly,

telling him that it was suitable for a widow. Yet he loved ladies

and was chivalrous and Platonic in his behaviour and demeanour.

He quipped that if four eyes could have been sealed, he could have

married his nineteen years old, already espoused enamorata.  He

also praised the vocalist, Mrs Billington, who was having her

portrait painted by the great Joshua Reynolds, as St Cecilia listening

to the angels.  Haydn stated that there must have been some mistake,

for the angels should have been depicted as attending to her.

We did not take possession of it immediately.  It was eleven years

later when Prince Nikolaus Esherhazy was suddenly reminded that

he had promised to remove Haydn’s remains to the family seat in


Sturm und Drang! he expostulated.  He made some stronger

comments when he realised that the skeleton was incomplete.

Johann passed the skull to us and we hid it under my straw mattress.

I feigned indisposition when the search party raided- women’s

matters!- and so no trace of it was discovered.  Meanwhile I felt like

the Princess and the Pea and wager that Haydn himself would have

appreciated the  farce, in addition to enjoying the intimacies of my


A bed piled high with mattresses.

However, the Prince grew imperious and we tried to distract him

with a substitute, but unfortunately, being amateur phrenologists,

we did not discern the differences between the skull of a seventy

year old and that of a twenty year old man.  In the end, though, he

accepted an alternative.

Everyone in Vienna knew where the skull was.  After all, we passed

it around with post-prandial spirits and it received due homage.

Karl had promised to return it to Johann on his own decease, in order

that it should finally be given to the Society of Friends of Music, but I

preferred to retain it and willed it to my doctor, so that it should receive

veneration at the Austrian Institute of Pathology and Anatomy, as well

as being of benefit to medical advancement.

How was I to know that it would be a century and a half and two

intervening World Wars before the dear old boy would be made


For a time he lay in two different zones: the Soviet and International,

but, let us be clear, he already belonged to a wider audience than

Austria alone.

And Johann kept the secret well.  His middle name was Nepomuk, so

I expect his patron saint assisted him, even when the heavens were telling.

At least he died with his tongue intact, unlike his namesake.  So, although

our associate knew the truth, others, such as Beethoven, knew nothing.

Well, he would not, would he?

Johannes von Nepomuk Hinterglasbild.jpg

Haydn often said that he made something out of nothing.  I feel that

the musical world did the same.  When all is said and done, he is at

peace and a man who exchanged his best quartet for a good razor would

surely not have minded us sharing his effulgence.  We cannot all get

what we want-like Jacob, he had to take the sister of the girl he really


We just made sure that we took what we wanted.  At least the Nazis did

not appropriate the head and we preserved him from Donizetti’s fate:

apparently his skull was sold to a pork butcher who used it as a receptacle

for collecting money.  Some people have no respect!

Beethoven’s ear passages were excised and two of his teeth stolen,

so, all in all, Josef suffered no sacrilege and was surrounded by music,

rather than the silence of the grave.

Many a time a visiting tenor directed his dulcet tones to his casket:

His large and arched brow sublime

Of wisdom deep declares the seat..

At least when the Lord took the great man’s breath away, he did

not disappear into dust.  And now the heavens and earth his power


Achieved is his glorious work.  The Lord beholds it and is pleased.

And we were that happy pair, misled by false desire to covet that

we should not have, nor should have striven to know what was not

meet.  Nevertheless, I did enjoy possession for a while, but you have

his essence for eternity.